Postby Psycho Ann » Wed Jan 14, 2004 11:48 am
AAAAAAAAAAAAAAAA!! I lost everything I just wrote!! Stupid browser!!!! I absolute *loathe* it when that happens >_<;;; Now I got to write everything over again... *grumble grumble*
I was gushing on your new update and the appearance of action! Yes! And I love the smell of thickening plot! Go go go! hehe I always loved the extreme close-ups you do; you can tell so much emotion from manga eyes XD
Anyway, I remember you asking something about exploding tones? Have you tried a radial gradient with a zoom blur thrown on it?
Also, I'm not sure what technique you used with the speed lines, but here's a quick way you can make them in Photoshop using the single column marquee (have I said this before???).
1. Fill a blank page with "speckled" tone; basically anything with black and white dots, lines, scratches, noise, grain, etc.
2. Select the Single Column Marquee Tool and throw it in the middle of the tone (you will get a vertical "marching-ants" line now).
3. Press ctrl-t (or go to Edit > Free Transfom) and drag the line either left or right (it should be obvious by now what that does) to the very sides.
Wala! Instant speed line! It does wonders for colored speed lines of backgrounds (slightly blurred), a nice easy techinque. But remember to practice doing manual lines--nothing beats good old fashioned ink and ruler! ^^
Ah, also becareful not to overdo the speed lines. Sometimes too much concentrated lines will clutter up the composition and would even give the feeling of "unnecessary speed". Like in RK, Naruto, DBZ, One Piece, Ranma, Inuyasha (especially the last two since Takahashi-san is female like us) you will find that speed lines that fill up a panel aren't that concentrated and are in the background. While the lines that are on the subject usually are short and slightly more concentrated but on the parts that are moving faster than the whole.
For example someone dashing forward while swinging a sword will have a background SL (speed line) in the general direction of the dash. Then there will be a curved and short but intense SL following the arc of the sword. Some extra concentrated SL will be found trailing after the person (on the edges of the subject) in spaced out places.
These smaller and more intense SLs will give the reader a more clearer feel on just what is being moved rather than just the general direction of everything. In Naruto, Nishimoto-san does this wonderfully--he's really got down movement with subtle SLs (personally, I find his work one of the best regarding action scenes). BLAME! by Nihei-san is also a favorite since he relys heavily on the visuals rather than real words--really great use of line and ink. Then Togashi-san (Yu Yu Hakusho, HxH) is also a master of movement--when he's feeling up to drawing decently that is ^^;; But amazingly, I find his "doodle quality" fights strangely natural and exciting O_o
It all really depends on just what type of "shot" you want to give your readers. Dramatic shot? Slow mo? Sped up? But for now you're doing great Inkhana! Those are *really* good actions scenes for someone claiming not knowing how to do them ;P
I personally would prefer less concentrated speed lines in the backgrounds and more concentrated ones on the subject (when swinging the weapons, dodging, etc). And maybe more space or contrast between panels that stick together--I tend to get lost when panels are only thinly divided by a line and both panels have the equal amount of contrast ^^;; It's a mistake I struggle to keep avoiding since I use to confuse myself and spend more time wondering what panel I'm on >_<;; (I would also like to see more black to balance the tones of gray but that's just me--the b/w freak)
And sometimes I get lost on the speech bubbles too O_o;; Nothing serious, just sometimes when speech bubbles from different panels sorta intersect (ex: 04-13; when Cael spoke I went down and nearly skipping the two smaller text of his lower left) . Keep them in the order of top left to lower right and everything will be just fine ^^
And here's a nice way to improve readability for black text on gray or black lines:
1. Right click the text layer and select "Blending Options..."
2. Go down to "Stroke", check it and click it to bring out the 'Stroke' option menus.
3. Set the color to white (it usually isn't) and set the stroke size to whatever you need.
Ahhh, I think I covered as much feedback as I can this time. To make up for the lack of feedback in previous chapters XD Man, what a rant!! XD Hopefully, there's something in this pile of words that can help ^^ (and not confuse anyone O_o;; )
-Psalm 27:1-
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MOES. I can has Sane Sig now?"